Bugs Bunny - " A Wild Hare", 1940, various, notably Avery.Surprisingly, Elmer didn't appear as frequently as most people think, only encountering Bugs in over 30 pictures out of Bugs' 168 short lineup. To compensate, the other directors often made Elmer crafty in their pictures see "Quack Shot" by Robert McKimson, where he's one step ahead of Daffy the entire cartoon, and "Hare Brush" by Friz Freleng, where it's debatable that he faked being insane in order to both avoid the IRS and get revenge on Bugs Bunny. Less popular with the other directors - particularly Freleng - who found him too wimpy. An avid hunter, thus Jones' favourite adversary for both Bugs & Daffy, reaching a peak in the iconic Rabbit Season trilogy. One of only three humans in the regular cast, the others being Yosemite Sam and Tweety's owner Granny. Elmer Fudd - " Elmer's Candid Camera", 1940, Jones.First named in the short " Daffy Duck and Egghead". Later also joined Sylvester on the hunt for Speedy Gonzales. In this incarnation, he's used either to parody action-adventure heroes, or paired up and serving as a foil for Bugs in an Odd Couple scenario. Was originally a screwball/ Cloud Cuckoo Lander, later Flanderized into a jerkass with an enormous ego. Daffy Duck - "Porky's Duck Hunt": 1937, Avery.Either way, he does not like being paired up with Daffy. Also a Deadpan Snarker, usually when paired with Chuck Jones' pompous Daffy or a Butt-Monkey when paired with the crazy, hyperactive screwball Daffy. The Everyman and Straight Man to the rest of the cast, known for his ridiculously thick stutter. Porky Pig - "I Haven't Got a Hat", 1935, Freleng.Over the course of their tenures at "Termite Terrace", as the WB animation studio was informally known, legendary directors Chuck Jones, Tex Avery, Bob Clampett, Friz Freleng, Frank Tashlin, Art Davis, and Robert McKimson - assisted by talented animators such as Ken Harris, Emery Hawkins, Abe Levitow, Bill Melendez, Virgil Ross, and Rod Scribner brilliant writers like Warren Foster, Michael Maltese, and Tedd Pierce ace musical arrangers Carl Stalling and Milt Franklyn sound effects whiz Treg Brown and, of course, the incomparable vocal range of one Mel Blanc - created and refined a large and diverse cast of characters, the most famous of which include (in chronological order of introduction): When Looney Tunes switched to color in 1942, and the Merrie Melodies line ditched the music around the same time in favor of its own rising star - one Bugs Bunny - differences between the two were limited to their distinctive theme songs, until 1964 (when both series wound up using the same theme music as a result of using a modernized, and slightly bizarre, opening/closing sequence). Merrie Melodies, introduced in 1931's " Lady, Play Your Mandolin!" featuring the ( suspiciously Mickey Mouse-esque) character "Foxy", were initially intended as the music videos of their day, basically animated commercials for the Warners-owned sheet-music library. The first set, Looney Tunes, was introduced with 1930's " Sinkin' in the Bathtub" featuring minstrel-like mascot Bosko, the Talk-Ink Kid, and for its first decade relied more heavily on recurring characters and thus lower budgets. Harman and Ising animated the shorts until 1933, when a dispute with Schlesinger over budgets led them to depart for Van Beuren Studios. That basing cartoons around popular public-domain songs - or, even better, ones the studio already owned - was a fast and relatively cheap way of producing them didn't hurt any, either. Pictures initially distributed the cartoons for independent producer Leon Schlesinger before buying the studio in 1944 and moving it in-house in 1955.Īs the names indicate, these cartoons were originally meant to be imitations of Disney's Silly Symphonies. Looney Tunes and Merrie Melodies are two series of theatrical cartoon shorts first released between 19.
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